The violence in Kennedy is often unflinching and the characters offer no easy sympathy, but you stay hooked on how it all plays out. And that's when the classic Anurag Kashyap twist arrives, bringing an unexpected emotional payoff that lands just right, observes Mayur Sanap.
From Peranbu to Bramayugam, Padma Bhushan winner Mammootty's recent filmography is proof that legends can keep reinventing themselves, even post 70.
TVF deserves credit for breaking its mould of picking and sticking to favourable and comfortable genres. Space Gen could serve as a launch pad for more exciting content to come, hopes Divya Nair.
Paresh Rawal has robustly defended Prime Minister Narendra Modi, dismissing claims of divisive politics and asserting that Modi 'never does Hindu-Muslim politics.
Gustaakh Ishq feels like a cinematic revival of everything we once loved about Urdu story-telling, observes Syed Firdaus Ashraf.
Dhurandhar may not have the dark realism of a spy story which a web show can manage. But it does not have the flamboyance either, that has come to be associated with espionage movies, observes Deepa Gahlot.
Ustaad Bhagat Singh is less a film and more, a lazily constructed vehicle for star worship and political signalling, one that quickly wears out its welcome for anyone outside Pawan Kalyan's core fanbase, observes Sreeju Sudhakaran.
...does not feel quite epic yet.
Akhanda 2: Thandavam may appeal to Nandamuri Balakrishna's fans and will be a madcap awakening for those uninitiated in Boyapati Sreenu's no goofball ideas in constructing action, notes Arjun Menon.
Saali Mohabbat escalates the hell-hath-no-fury-like-a-woman-scorned theme, and fashions a dark domestic thriller, discovers Deepa Gahlot.
The fact that a major studio put out a silent film starring some of the biggest names in the industry in these concerning times for the film business is the one big takeaway from Gandhi Talks, notes Arjun Menon.
As Cocktail 2 approaches, we take a look at Director Homi Adajania's slim but fascinating filmography.
Sunny Deol stars in the upcoming Partition drama Batwara 1947, produced by Aamir Khan Productions and directed by Rajkumar Santoshi, which promises a compelling story of courage amidst historical turmoil.
Ananya Panday delighted fans by sharing stunning photographs and videos from her five-day Greek holiday.
These modern Hindi films proved that the love triangle still has enough heartbreak, passion and chaos left to captivate audiences.
Imtiaz Ali's new film Main Vaapas Aaunga is set to delve into the enduring trauma of the 1947 Partition, continuing Bollywood's complex cinematic journey of depicting one of history's most violent and impactful events.
The Night Manager Season 2 is a comfortably paced, tension holding series, with a couple of solid twists, observes Deepa Gahlot.
Ashakal Aayiram can be celebrated for the return to form for Jayaram, who owns every scene he is in, but the film around him drags and drags, with no end in sight, notes Arjun Menon.
Explore Kangana Ranaut's remarkable cinematic journey from her impactful debut in Gangster to her career-defining role in Queen.
'Some people enter our lives not to stay forever, but to leave us changed forever.'
The fourth season of Undekhi attempts to conclude the saga of the powerful Atwal family but struggles with an overcomplicated plot and a multitude of characters, observes Deepa Gahlot.
There are moments in Assi when you will get scared, when you will get angry, when you will feel helpless... when you will realise the enormity of the crime.
Before Hai Jawani Toh Ishq Hona Hai hits the screens, we rank Varun Dhawan's best films from passably entertaining to outright fantastic.
As a film, Maa Inti Bangaram frustrates; as a milestone for Telugu cinema's female-led stories, it deserves to be celebrated.
Death may be a tragic affair, but cinema has often found humour lurking even within the morbid.
Because it treats soldiers as human, and concentrates on their emotions as much as their bravery, Border 2, probably without meaning to, speaks out against war, observes Deepa Gahlot.
Kalamkaval, like any good work of art, suggests more than it shows, raves Arjun Menon.
Happy Patel: Khatarnak Jasoos is not supposed to make sense, and doesn't even pretend to, observes Deepa Gahlot.
Producer Boney Kapoor's daughter Anshula Kapoor has tied the knot with Rohan Thakkar, sharing heartwarming glimpses of their traditional wedding ceremony.
Long before Alpha, Bollywood had been retelling the Ramayana in modern settings, sometimes subtly and sometimes not so subtly.
Kiaan Shetty loves Kurukshetra so much that he recommends it to his friends too.
The bed starts to creak. Anklets jingle in the stillness of the night. A creeping anxiety settles in as strange accidents and eerie incidents force you to question whether a supernatural presence is quietly observing your every move, observes Divya Nair.
Aamir Khan and Gauri Spratt tied the knot in a registered marriage ceremony in Mumbai.
The Raja Saab is a poorly judged effort to appease to the lowest hanging fruit, and is not sincere in its ambition to entertain, notes Arjun Menon.
Beneath its grit and darkness, Kohrra 2 reveals surprising warmth and is a beautiful, beautiful show, promises Mayur Sanap.
As Aamir Khan Productions celebrates 25 years, we rank the 10 best films produced by its star, from the iconic Lagaan to the recent critically-acclaimed Laapataa Ladies.
By not turning Mrs Deshpande into a monster like the notorious Hannibal Lecter, the show may have reduced the chills. Still, it's an efficiently made crime show, which depends on the stardom of Madhuri Dixit, observes Deepa Gahlot.
Zootopia 2 is charming, engaging, and thoroughly fun to watch, applauds Mayur Sanap.
Rani Mukerji gets plenty of scope to shine, seething with anger, screaming, radiating fury, and even taking on hand-to-hand combat in a truly boss-lady role, notes Mayur Sanap.
Sarvam Maya banks on its leading man, Nivin Pauly, who grasps at straws and makes the improbable scenes work with his charm, notes Arjun Menon.
